Friday, January 13, 2012

Battle Scars Anthology

I am happy to announce, I have had a poem printed in the Battle Scars
edited by Jerome Brooke

Format: Kindle Edition
File Size: 70 KB
Sold by: Amazon Digital Services
Language: English


Isles - Astarte - Zylophone
GoodSamaritan Press
Eugenia Fain - Ron Koppelberger - Bobbi Rightmyer
Gordana Culibrk - Christina Murphy
Published by GoodSamaritan Press
Copyright 2012 GoodSamaritan Press

Wednesday, January 11, 2012

Weaving A New Eden

Weaving a New Eden by Sherry Chandler

Paperback: 108 pages
Publisher: Wind Publications (March 15, 2011)
Language: English
ISBN-10: 193613828X
ISBN-13: 978-1936138289

Sherry Chandler is a high caliber poet and author of two chapbooks: Dance the Black-Eyed Girl is #13 in the New Women’s Voices series from Finishing Line Press and My Will and Testament Is on the Desk is #4 in FootHills Publishing’s Poets on Peace Series. Weaving a New Eden is her first full-length book of poetry.

Weaving a New Eden takes us back to the beginnings of Kentucky, back to 1774 with Daniel and Rebecca Boone. I have lived my entire life in Harrodsburg, Kentucky, home of the first permanent settlement West of the Alleghany Mountains, founded by James Harrod, but visited by Daniel and Rebecca Boone and their family. The poems in this powerful book interrelate with the female heritage of Chandler and the frontier life faced by Rebecca Boone.

One of my favorite poems is “No More” because it reminds me of the death of my mother. Although my mother was 65 and Chandler’s was 91, the similarities of their deaths haunted me. Watching a parent, especially a mother, take a last breath is always hard, even if it comes at the end of a long illness. While many relatives may rush to claim treasures after the funeral, the last lines of this poem reverberated through me because it is similar to what I did when my own mother died:

“Last chance,”
he says,
“to claim what you want.”

I break a branch,
a blossom
from the hard winter pear.

“The Grandmother Acrostics” is a legacy of recollections from the women of Chandler’s past: Lettice, born ca 1774, who kept a Kentucky tavern; Lydia Simpson ca 1799, whose father kept a public house; Ambie W. True, October 1870, had seven children; Katherine B. Keith, September 1917, born weighing 14 pounds; and Chandler, February 1945, “dancing the figure of the Black-Eyed Girl.”

“Jemima Boone Speaks of Abduction, Boonesborough, July 1776” is a lyrical look at the torment Miss Boone at the hand of the Cherokees, Shawnees, who

“knew me for Boone’s child. We have done pretty well for Old Boone this time.”

“Rebecca Boone Speaks of Fidelity” starts out as,

“You should have staid home and got it yourself.”

What woman hasn’t thought this thought at one time in their lives?

At the end of this lovely book of historical poetry is a note section, letting the reader know about some of the research Chandler gathered in order to put this book together. This book is well-worth the read, especially, put not limited to, the women of Kentucky. History woven into poetry is a magical thing.

Sherry Chandler’s poem “Relics” was nominated for a Pushcart Prize by qarrtsiluni in 2010. She won the Betty Gabehart Award from the Kentucky Women Writers Conference the Legacies Award from the Carnegie Center for Literacy and Learning, the Kudzu poetry prize for 2006, and the Joy Bale Boone Prize for 2006. In 2005, she received a scholarship to attend the Kentucky Women Writers Conference, in 2007, she received a scholarship to attend the West Chester Poetry Conference where she studied with Molly Peacock, and in 2009 she received the Katherine Osborne Scholarship to attend the Wildacres Writers Workshop. She has received professional development funding (2005, 2009) and Professional Assistance Awards (1989, 2007, 2009) from the Kentucky Arts Council, and an Artist Enrichment Grant from the Kentucky Foundation for Women (2008).